Bossa Furniture is a Brazilian collectible design gallery operating between São Paulo and New York, specializing in Brazilian mid-century furniture, historical research, restoration and contemporary collectible design. Founded in 2017 by Brazilian architect, researcher and curator Isabela Milagre, Bossa has built an international platform around the preservation and presentation of Brazilian design.
Its catalog brings together historic works by designers including Joaquim Tenreiro, Lina Bo Bardi, Sergio Rodrigues, Carlo Hauner and Martin Eisler, alongside contemporary creators whose work continues the conversation around Brazilian materials, craftsmanship and design.
With its principal infrastructure in São Paulo and a commercial and gallery presence in New York, Bossa connects Brazilian design research and restoration with collectors, architects and design professionals in the international market.
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Bossa Furniture was founded by Isabela Milagre in 2017.
An architect by training, Milagre developed her work around research into Brazilian mid-century furniture and the designers, manufacturers, materials and cultural movements that shaped it.
That research remains fundamental to Bossa’s identity.
Rather than approaching vintage furniture only as decorative inventory, the gallery investigates provenance, historical context, construction techniques, archival records and the significance of individual works within Brazilian design history.
Its research and collection encompass names and movements that helped define modern furniture in Brazil, including Joaquim Tenreiro, Sergio Rodrigues, Jorge Zalszupin, Lina Bo Bardi, Branco & Preto, Forma S.A., Carlo Hauner and Martin Eisler.
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Bossa’s international expansion brought its specialization in Brazilian collectible design directly into the New York design market.
In March 2024, the company opened its first gallery in Manhattan’s Chelsea district, creating a U.S. platform for Brazilian furniture and collectible design.
Today, the company describes its operation as working between São Paulo and New York, with pieces from its collection also identified for availability in New York.
The American presence provides a connection between the company’s Brazilian expertise and an international audience of collectors, architects, designers and other professionals interested in historically significant Brazilian furniture.
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Bossa’s catalog extends across different periods of Brazilian furniture and object design.
Historic works coexist with contemporary pieces, allowing the collection to show both the development and continuity of Brazilian design.
Among the designers represented are major figures associated with Brazilian modernism and mid-century furniture, as well as contemporary designers working with materials, techniques and forms connected to the country’s design culture.
The company currently reports a catalog of more than 2,300 pieces.
This scale gives Bossa the ability to work not only with individual collectible pieces but also with professionals sourcing Brazilian design for larger residential, architectural and interior projects.
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Research is one of the elements that distinguishes Bossa’s approach to collectible furniture.
The company studies historical references, manufacturers, designers, construction characteristics and provenance to better document the pieces it represents.
This work is particularly relevant in the vintage and collectible market, where attribution and historical context can materially influence how an object is understood.
Bossa also develops and publishes research related to Brazilian design history, extending its activity beyond the commercial presentation of furniture.
The result is a collection in which the story behind a piece can be as significant as its visual form.
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An important part of Bossa’s infrastructure remains in Brazil.
In São Paulo, the company maintains its headquarters and flagship operation together with dedicated restoration capabilities.
Its structure includes specialized woodworking and upholstery work designed to preserve original characteristics while addressing the physical condition of historic furniture.
Restoration requires particular care with collectible pieces.
Changing materials, proportions, finishes or construction details without regard for the original work can alter both its historical integrity and its value.
Bossa’s combination of research and restoration allows these processes to be approached with information about the designer, period and construction of the piece.
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Bossa’s São Paulo headquarters occupies approximately 560 square meters and brings several parts of the operation together.
According to the company, the structure includes its flagship space, restoration workshop, upholstery workshop and logistics center, supported by a team of more than 20 professionals.
This Brazilian infrastructure is significant to the company’s international model.
Pieces can be researched, documented, restored and prepared within the same broader operation before reaching collectors and projects in Brazil or abroad.
São Paulo therefore remains not simply the company’s place of origin, but the operational center supporting much of Bossa’s work.
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Bossa works with an international audience and participates in the broader collectible-design market beyond Brazil.
Its New York presence gives clients in the United States more direct access to Brazilian pieces while the company’s São Paulo operation maintains the research, restoration and logistical infrastructure behind the collection.
The company also participates in exhibitions and design events that place Brazilian work alongside the international collectible-design market.
This includes participation in New York’s Salon Art + Design, where galleries present collectible furniture, art and design to an international audience.
Bossa lists its participation in the 2026 edition of Salon Art + Design in New York, scheduled for November.
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Materiality is central to the history represented in Bossa’s collection.
Brazilian designers developed distinctive relationships with wood, leather, cane and other natural materials, frequently combining modernist ideas with local craftsmanship and production techniques.
Figures such as Joaquim Tenreiro and Sergio Rodrigues helped establish furniture languages that became closely associated with Brazilian modernism.
The resulting pieces are increasingly recognized within the international collectible-design market not simply as examples of furniture produced in Brazil, but as part of the country’s contribution to twentieth-century design history.
Bossa’s work is concentrated within this field of preservation, research and international circulation.
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Collectible furniture carries information that can disappear when its history is not documented.
Who designed it?
Who manufactured it?
When was it produced?
Which materials and techniques were originally used?
How does it relate to other works from the same designer or period?
Bossa’s research activities address questions such as these as part of its work with Brazilian design.
For historic furniture, preserving this knowledge can be as important as preserving the physical object itself.
It helps collectors, professionals and future researchers understand the piece within the larger development of Brazilian design.
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🇧🇷 São Paulo, SP — Headquarters, Flagship & Operational Center
R. Maria José, 154
Bela Vista
São Paulo, SP 01324-010
Brazil
São Paulo is Bossa’s principal operational base, bringing together its flagship, collection, restoration capabilities and logistics.
The company reports approximately 560 m² of infrastructure and a team of more than 20 professionals.
🇺🇸 New York, NY — U.S. Gallery & Commercial Presence
Bossa expanded physically into New York in 2024 with its first Manhattan gallery and maintains a U.S. commercial and gallery presence connected to the international collectible-design market.
Because current information on Bossa’s own website is not sufficiently consistent regarding the operating status of its New York gallery location, no street address is attributed to the U.S. operation in this listing.
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